#Operation theatre technology courses

[hihs2024]

B.Sc. in Operation Theatre Technology at HIHS Haldia, West Bengal

Join the B.Sc. in Operation Theatre Technology program at HIHS Haldia in West Bengal to start an exciting career in healthcare. This course teaches you the skills you need to work in operation theatres, helping doctors during surgeries. You'll learn about surgical procedures, keeping equipment clean, monitoring patients, and handling emergencies. The program combines classroom learning with practical training to ensure you're ready to support surgical teams and keep patients safe.

HIHS Haldia offers top-notch facilities and experienced teachers to guide your education. Our connections with major hospitals give you the chance to gain real-world experience through internships. Graduates from our program are highly sought after and find jobs in hospitals and clinics. Choose HIHS Haldia for your B.Sc. in Operation Theatre Technology and become a key member of the healthcare team, making a difference in people's lives. Contact us for more details.

[emversity]

The field of operation theatre technology is a dynamic and crucial part of the healthcare system. Emversity, with its comprehensive Operation Theatre Technician Course, aims to prepare students for this demanding and rewarding career path. The course delves deep into the technical aspects of operating theatres, including knowledge about surgical instruments, equipment handling, sterilization techniques, anesthesia procedures, and patient care during surgeries.

To be eligible for the Operation Theatre Course at Emversity, candidates must have completed their higher secondary education or equivalent certification. A passion for medical sciences and a keen interest in surgical procedures are highly encouraged for aspiring operation theatre technicians. Emversity's program not only provides theoretical knowledge but also emphasizes practical training through hands-on experience in real-life healthcare settings. Students who successfully complete the course emerge as skilled professionals ready to contribute to improving healthcare outcomes through their expertise in operation theatre technology.

Contact us for

1082, Shobha Millennium, 12th Main Rd, HAL 2nd Stage, Appareddipalya, Indiranagar, Bengaluru, Karnataka 560038

80 80 80 49 80

admissions@emversity.com

[admissionopenushamartinranchi]

B.Sc Operation Theatre Technology Jobs, Scope, Salary in India

B.Sc Operation Theatre Technology

A Bachelor of Science (B.Sc) in Operation Theatre Technology (OTT) is a program within paramedical science. This program trains students to work in operation theatres, assisting surgeons, anesthesiologists, and other medical professionals during surgical procedures.

One of the leading educational schools to pursue the course is Usha Martin University, based in Ranchi. Its three-year UG course focused on various aspects of diagnostic and therapeutic surgical interventional procedures performed in operation theatre. The students gain training to manage equipment and functionality of the operation theatre, follow the surgeon’s instructions during surgery, maintain sterility in operating rooms, and patient care before and after surgery. Once the students pursue the course, they know pre-operative, intra-operative and post-operative areas. Some of the subject’s covered during the course are Human Anatomy, Physiology, Hematology & Blood -Banking, Introduction to Operation Theatre Technology, Applied Microbiology, Mathematical Optimization, etc.

The admission process begins with application submission, which can be submitted online or at the admission offices based in Ranchi or Patna. The students must submit mark sheets, academic certificates, birth proof, residence proof, and five photos. The selection for admission is based on the eligibility criteria.

Once the students pursue the course from Usha Martin University, they can make careers in hospitals, nursing homes, trauma/emergency centers, Intensive Care units, etc. With the help of the university’s cutting-edge academic facilities, students can acquire the professional understanding needed to guarantee and deliver the best possible patient care.

B.Sc Operation Theatre Technology Eligibility:

Students who have completed 10+2 in Physics, Chemistry & Biology from any recognized institute are eligible for B.Sc. Operation Theatre Technology (OTT) admission.

Duration: 3 Years

Top 5 Career and Job Opportunities after B.SC OTT Course: 

A B.Sc in Operation Theatre Technology equips students with the necessary skills and knowledge to work in various roles within the healthcare sector, particularly in operation theatres. Here are some job roles –

Operation Theatre Technologist – They are responsible for preparing and maintaining the operation theatre before, during, and after surgeries.

Surgical Assistant – Surgical assistants work closely with surgeons, nurses, and other healthcare professionals during surgical procedures. They help with tasks such as prepping patients for surgery, positioning them on the operating table, passing instruments to the surgeon during procedures, and assisting with wound closure and dressing.

Anesthesia Technician – They support anesthesiologists in administering anaesthesia to patients before surgery.

Sterile Processing Technician – These technicians are responsible for cleaning, sterilizing, and organizing surgical instruments and equipment.

Quality Assurance Officer – Quality assurance officers in operation theatre technology oversee the implementation of quality control measures to ensure compliance with healthcare regulations and standards.

Why Choose UMU for  B.Sc Operation Theatre Technology?

Usha Martin University’s B.Sc Operation Theatre Technology (OTT) program offers a superb combination of theoretical and practical pedagogy. Through professional interactions, industry visits, open and engaging industry interface, and live projects, students gain both industrial exposure and solid theoretical knowledge.

Scope and Salary After B.Sc Operation Theatre Technology 

A Bachelor of Science (B.Sc) in Operation Theatre Technology (OTT) can lead to various career opportunities. Operation Theatre Technologists play a crucial role in the healthcare sector by assisting surgeons and other medical professionals in operating rooms. Here are some of the industries where students can work –

Hospitals – This is the primary industry where OTT professionals are employed.

Ambulatory Surgical Centers – These facilities specialize in performing same-day surgical procedures. OTT professionals can work in these centers to assist with various surgeries.

Specialty Clinics – Some specialty clinics, such as those focusing on cosmetic surgery or orthopedics, hire OTT professionals to assist with surgeries and other procedures.

Government Healthcare Facilities – OTT professionals can find employment in government-run hospitals and clinics, providing surgical assistance and support.

Research Institutions – In research settings, OTT professionals can contribute to studies related to surgical techniques, equipment development, or patient care protocols.

The salary in India varies depending on several factors, such as the employer, location, skills, and demand for OTT professionals. On average, a student completing a B.Sc in Operation Theatre Technology Course can expect to earn between INR 2.5 lakhs to INR 5 lakhs per annum.

[technicalinstitute]

Best Operation Theatre Technology Course in Kolkata

Discover the top-notch Operation Theatre Technology Program in Kolkata at Global Technical Institute, empowering students with in-depth knowledge of surgical procedures, equipment administration, and patient care. Our curriculum adheres to industry benchmarks, and practical training readies graduates for gratifying healthcare careers. Enlist today and kickstart your journey towards expertise in surgical technology.

[thegeorgetelegraph]

Top Paramedical Colleges In West Bengal Kolkata

Job-focused academic programe include paramedical training courses. A person can learn in paramedical diploma courses and become a skilled healthcare provider. The importance of paramedical staff in the medical field, particularly in the treatment of accidents and trauma, is becoming increasingly clear.

[cgcjhanjeriblog]

The Top Career Scope of B.Sc. Operation Theatre Technology Students: A Comprehensive Guide

A three-year graduate programme, the BSc Operation Theatre Technology is available. After finishing your 12th grade year, you may apply for admission to this programme. Students who are interested in enrolling in the OTT medical programme must have completed 10+2 in biology, physics, and chemistry. A growing area of interest in medicine is operation theatre training.

Over the past ten years, Operation Theatre Technology has attracted a lot of attention. This course covers all aspects of operating room management in hospitals, as the name suggests. An operation theatre technician's main responsibility is to support the surgeons throughout an operation.

[studiesmediain]

Operation Theatre Technician books pdf download 2023

This book focuses on the areas that come up most frequently in pre-PG exams. Anesthetists in training, postgraduate students, and professional anesthetists will benefit the most from this course. For MD/DA/DNB students, this book might be used as a last-minute revision guide. To make reading easier, the text is divided into nine pieces. Italics are used to highlight the most significant elements. Each chapter concludes with a summary of key ideas. An overview of subjects has been offered in a tabular format whenever possible. Disputes that arise often have been attempted to be settled as much as feasible. The most recent pharmacological, equipment, and procedure advancements have been included. The American Heart Association (AHA) updated its cardiopulmonary resuscitation (CPR) recommendations in 2015.

BSc operation theatre & anesthesia technology

Product details

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originally published at https://www.studiesmedia.in 

[gemsofgreece]

hi! is there any attraction/place in Athens that you would highly recommend visiting? Maybe, hidden gems, or underrated places that are awesome? :') i apologize if this is a popular question that you get haha

Hello @dandelionesa ! You would be surprised at how little I know about Athens. I have been few times in my life there, despite being a native Greek living in the country all my life. I mean, I have lived there for a month once but I didn't explore at all beyond the neighborhood. So, I can tell you all the significant places not to miss but I lack the personal insight in little known gems.

Another thing about the blog is that if you visit from the browser, I have an option called "The Regions" which is essentially a travel guide about all main locations in Greece. It is not complete yet but the Athens one is. You can find it in: The Regions > Sterea Hellas > Attica for feature references. But, here, I am gonna screenshot the sightseeing recs mentioned there.

These are about Attica, the region that encompasses Athens. Most attractions are naturally inside Athens but there are some important ones like the Vouliagmeni Lake and the Temple of Poseidon that include driving / travelling outside the city.

The list is concise so I don't explain what each of these places is but they are worth visiting if you have the time. Of course, to do a proper journey of Athens, where Athens is going to be your focus, that takes time. It is a large place. Most people stay in Athens for two days before going to the main part of their vacation, usually some islands. You can't say you did Athens in two days though. Whoever says that to you, don't believe them. You can do Acropolis and like two-three museums at most in this time.

Apart from the ones above I also found some recs from other websites about hidden gems:

Philopappos Hill (that's not a hidden gem, I just forgot it in my own list lol)

Hellenic Motor Museum

Pnyx

Museum of the Basil & Elise Goulandris Foundation

Museum of Greek Folk Musical Instruments

Ilias Lalaounis Jewellery Museum

Benakis Museum of Islamic Art (NOTE: this is a different museum than the main Benakis one which I mention in the list above, if you can do both great, but if you can only do one, then the main must absolutely not be missed)

First Cemetery of Athens (yep, it's a valid rec)

National Observatory of Athens

Watch open air cinema in Thiseion. Or in the rooftop of Cine Paris.

The Greek National Opera (Ethnikí Lyrikí Skiní)

The Nautical Museum on the cruiser Averof

The Benakis (another Benakis) Toy Museum

I don't know what's wrong with me and I forgot to mention above:

Kapnikarea Church

The Metropolitan Cathedral of Athens

The UNESCO Monastery of Daphne

The New National Library (Stavros Niarchos Foundation). The one I mention in the first list is the Old National Library. Both are worth a visit for different reasons.

Go to Glyfada and along the Vouliagmeni coast for swimming (Vouliagmeni is a lake right next to the sea beach)

The Orthodox Church of Saint Dionysius of Areopagus

The Catholic Church of Saint Dionysius of Areopagus!

I was sleeping on the fact that there were two churches of those!

As you see I also added some recs for experiences i.e cinemas, theatres and so on. These are if you take your time in Athens, explore or stay for a while. Note that some might be less available in the summer, for example in summer the National Opera operates in open air performances like in the ancient Odeon of Herodes Atticus. If you stay and explore, check for concerts in theatres and stadiums. Concerts in Greece are real nice and vibey.

In retrospect, thanks for sending this ask because I realised I have a shitload of editing to do in my original list.

EDIT!!! The Byzantine and Christian Museum of Athens!!!! Srsly what's wrong with me lol

EDIT 2!!! Kotsaná Museum of Ancient Greek Technology!!! :@@@

[cow-boy-caviar]

STATION ELEVEN by EMILY ST. JOHN MANDEL

I don’t want to come off too harshly on one of the best, most engrossing books I’ve read in a long time, but there’s finally enough material here to sink my teeth into, so forgive me if it sounds like I’m going for the main arteries on this beautiful beautiful book.

An overview: Station Eleven shifts forwards and backwards in time, tying a once-successful actor (Arthur) to half a dozen other people who outlive him and thus experience the global societal collapse resulting from a flu pandemic. Jeevan, the paparazzo turned paramedic who tries to save Arthur when he has a heart attack on stage; Kirsten, a child actor who witnesses Arthur’s death and goes on to become a premier Shakespeare actor after the collapse of everything; Miranda, Arthur’s first wife and creator of the Dr. Eleven graphic novels; Tyler, Arthur’s son by his second wife and the unnamed prophet of a zealous and violent cult; and Clark, Arthur’s best friend who miraculously survives the pandemic by living in an abandoned airport and curating a museum of items from a past not quite yet forgotten.

Throughout the book, the refrain “because survival is insufficient” echoes across each character, implicitly for most but explicitly for Kirsten and the other members of her troupe, the Traveling Symphony. Each character finds their community and their purpose beyond just surviving to the next day. For Clark, it means preserving past knowledge and technology for the generations born After. For Kirsten, it’s performing centuries-old texts that are no less relevant or moving in a time when electricity has come and gone. For Tyler, it’s looking for a reason why all this happened, and deciding that intelligent design means he was purposely saved. Each of them finds their purpose and their people (for better or worse) to keep them going in Year Twenty, because just getting by isn’t enough reason to stay alive.

This is not a new idea — I can dig up all the quotes I want here: Kirk on the Enterprise saying that humanity must keep moving forward (which I wrote my thesis on in the peak of the COVID-19 pandemic), or Mr. Keating telling his students that we stay alive for the things that are beautiful in life — but we don’t often see it in the context of the apocalypse. Post-apocalyptic media is about survival post-apocalypse. That is, unfortunately, a bit of what happens with Station Eleven as well. For a book that was billed to me as “theatre after the world ends,” there is remarkably little theatre and a whole lot of the world ending.

That being said, in the moments where there is theatre, it is gorgeous and it is the most important thing in that moment. My favorite scene (and of course it’s always my favorite scene that doesn’t get put in the screen adaptation, DM me for Dune dinner party discourse) is before the flu’s spread is known, before anyone besides Arthur has died. All the people at the bar are known only by their King Lear character names or their job title. (Goneril, the producer, the bartender, because that’s what they are to each other. I’m still “Trap Door” in one of my best friend’s contacts because I operated the trap in the first show we worked on together.) They’re all fretting about how the show will continue without Arthur, who to call, how to keep the negative press away from the show. The final paragraph of this chapter was a gut punch: all of these people and all of their very real worries and concerns are made instantly insignificant by the fact that all of them will be dead soon, and the one who lives the longest only lives three weeks. As someone who went from leaving rehearsal worrying if I could land a summer internship, to being back home wondering if my friends would die, it hit hard. All the priorities you could possibly imagine are reshuffled to “stay home, stay six feet apart, stay alive.”

I loved this novel. I devoured most of it in one sitting. Anyone who has had their life consumed by their art should read it. I almost wish it was spread out into a longer series. It’s incredible how many threads Mandel managed to tie together, but there were a handful that I thought would be picked up again: Miranda’s fleet off the coast of Malaysia; the New Petoskey newspaper; Jeevan’s connection to Kirsten, and by extension all of Arthur’s extended network. (But maybe because it’s the end of the world I’m looking for meaning in any interaction, maybe their connection isn’t meant to be something we return back to, because not every person you meet comes back, but then why include it in the narrative?) Some things we aren’t meant to know; I wouldn’t feel satisfied by any resolution for the flight that leaves Severn City Airport for LA around Day 100. Other things we don’t need to show; there is hope in knowing that Clark will recognize Kirsten’s paperweight as a gift he once gave to a friend 30 years ago, in a world that no longer exists, and we don’t need to see that scene to know it would bring both of them tremendous joy. But if we start with Jeevan, giving him a place of prominence in the narrative, I want to see him woven back in later on more than he is. There are perhaps too many characters — all of them full and beautifully drawn and distinct, I don’t want any of them gone — for one book alone. 

New pitch: expand all of their stories, make it a series, make it into a graphic novel that can spiral across this detailed and complete world. Mostly, I want to see the Traveling Symphony’s performance of Midsummer Nights Dream.

[merelymatt]

Questions about I Need A Miracle that temporarily stumped me

When you, a writer, bring in a production company to produce an audio drama you wrote, members of that company will ask you questions about that audio drama.

Some of those questions will stump you.

That's the first step of the piece becoming a collaboration instead of a solo work. Because those questions will make you see your writing through someone else's eyes. And coming up with answers changes the finished thing into something you couldn't have made alone.

When @wirelesstheatre agreed to work on I Need A Miracle, I was ready to take my hands off the wheel. Didn't want to be the overly precious writer dictating how other people interpret the scripts! But mostly I just really enjoy learning other people's takes on stuff I've written. I thought I'd sit back and enjoy watching them all cook.

A thing I've learned: when you're the one funding the project, the people involved want to know your opinion and that you're happy with the direction things are going 😅

So I found myself in meetings being consulted on things I hadn't prepared myself to have opinions about. Questions like...

Who'd be your dream cast?

My first response to this one was just to give them names of people I know (the usual @merelyroleplayers suspects – once a theatre luvvie...)

When Sarah and Fiona pushed, I started naming audio drama podcast luminaries, your @woodenovercoats people, your @thesiltverses people.

And then someone in the meeting threw out a name as a possibility, which made me realise we were operating on different definitions of "dream casting". I'd made assumptions about what our budget could comfortably accommodate and unusually, those assumptions were overly modest.

This is one arena where, after offering some names because Fiona asked so nicely, I did end up just stepping back and letting Fiona do her thing. And look at the incredible cast we put together thanks to her!

What's the vibe?

This one came from composer Katie. There was a point where I was seriously considering not using music in I Need A Miracle at all (past Matt, what were you thinking?), so I hadn't given it a lot of thought.

We talked melody versus ambience/vibes. We talked moods. We talked instruments and influences. It was a lens I hadn't seen the story through before and it was so damn much fun.

And motifs! Each character in I Need A Miracle is one and done, so they don't get themes, but that led Katie to ask what does recur between different episodes. Are there realisations or turning points that multiple characters experience? What moments echo through the series and how can the score make those moments resonate?

It wasn't until Katie asked the question that I consciously thought, wait, yes, there are parallels and correspondences and themes running through the series (and like, of course there are, but you don't plan that stuff out when writing). And that got me excited to hear the music lifting those moments!

What's the tech level?

Final one, from sound designer Sarah Buchynski (Polarity Audio Works).

There's a specific bit of scene-setting in the series finale that I'd kind of thrown in there for funsies but which raised some (it turns out) interesting questions about technology in a miracle-powered world.

Miracles are magic, so are we talking fantasy? Or sci-fantasy, with sufficiently advanced technology indistinguishable from magic? Steampunk, electropunk, or some other -punk?

My job is the characters, and the bits of worldbuilding that inform them, their wants and needs. Everything else is fill-in-the-blanks. But then Sarah asked the question, and I had a fun old time coming up with basically just enough of an answer to make her job more fun.

Make it up as you go along

Did you think I was going to end this by advising audio drama writers to have answers ready to questions like these? No! Experience the thrill of discovery as I did! Answer whatever questions you need to answer to write the thing, then make up the rest as and when people ask you. That way you never waste imagination juice answering a question no one ever asks. It's foolproof!

[gihsibstitute]

Best health science institute in Kottayam

GIHS is a paramedical college run by Mar Gregorious Memorial Education and Charitable Trust. The institute is located at Kangazha on the state highway at a distance of half a kilometer from Kangazha town. It is well connected with the main cities of Kottayam, Pathanamthitta and Alappuzha Districts. GIHS is established with a dream of providing job oriented vocational courses in health care stream. The main objective is to develop an institute with an aim to mould true health care professionals with service driven empathetic approach, medical ethics and accountability to the society. Our campus buildings and facilities are eco-friendly. Solar energy, rain water harvesting, tree plantation are some of the eco-friendly efforts of GIHS. We practice and strive to inculcate the feeling of social responsibility to each student. We aim to create health care professionals with a human touch and service mentality.

[gregorianinstitute]

College for MLT Kottayam

[stop-pressing-e]

The Lost Swan - Chapter 21

Prev chapter | New chapter Prologue

/Finally finished writing this chapter. This took me a while and fight scenes can be such a bane to me but glad I can write Krauser getting some proper fight action.

Enjoy reading!/

Mentions of: Blood, killing (duh), needles at the end

Hawthorne Trinity was something Krauser had expected when he came upon the iron gates. A derelict mental asylum by its exterior appearance and all but on the inside it could have been modernised to meet with the technology standards. Or maybe everything he’s seeing from an outside perspective was entirely abandoned to hide the fact that there’s a large facility built deep below the building itself.

Nikki has done her job in finding the blueprints and layout to the building for him and it was as expected. She was originally going to head for R.A.S abandoned facility to find the rumoured caravan but instead Krauser ordered her to follow him and focus on destroying the inner circle and Dr. Rowland’s works for good.

The informant watched him pull the padlock off with inhuman strength and kicked the gates open with awe. Krauser meanwhile was impressed by her choice of gear. She wore her old R.A.S uniform complete with an armoured vest and the visored helmet and armed herself with the standard shotgun, two handguns, and a combat knife. She was provided with grenades by Krauser for safety measures consisting of flash grenades and regular grenades.

“I’ll go in first.” Krauser said as Nikki proceeded to lockpick the doors while he checked his magazine of his submachine gun once more and inserted it back in. “Find another way inside to avoid any detection and by fifteen minutes you get yourself inside the facility, unless you hear gunfire. You remember where the other entrance is?”

“Centre courtyard. Secret elevator underneath the gazebo. Better make sure it doesn’t require any puzzles or special key to call it up.” She stood up and pushed the door open. 

“Good work, Bernhardt.”

“Call me Banshee.” She tucked the lockpicks away. “Dull gave me that codename when I started working for her.” Had it not been for the visor obstructing her face, Krauser would see the mischievous grin on her face. “You’ll understand why eventually.” She stepped away from the door and gave him a salute. It wasn’t unlike her to mock him for all of the sudden, creating a genuine gesture from her and it surprised him. “Good luck, Major.”

He nodded his head once. “Stay sharp, Banshee.” As soon as he entered inside the decrepit building, Nikki closed the door behind him and waited for her time to come. Under the illusion of an abandoned place, the air wasn’t stale and boards that were once hammered to the windows were taken down to allow light and air in. The surroundings and each place he has entered has been cleaned and free of obstacles, but they left the walls to decay and the wallpapers to peel away. Broken floor tiles that were not swept away made the slightest noise whenever his feet hit them. The secret entrance he’s searching for is located at the operating theatre at the end of the building. 

A static from a speaker came to life.

“Welcome to Hawthorne Trinity, Jack Krauser.” The voice of a welcoming but grating man he guessed as Alexei Rowland greeted Krauser, almost reminding him of Salazar and he was the annoying type when he was Saddler’s follower. “I’ve been waiting for your arrival.” Krauser continued to make his way towards the theatre in silence to keep his calm and focus on the thought of Dullahan waiting for him.

“Of course, you’re not here to meet me.” Dr. Rowland’s voice continued to speak. “You’re here for her.” He could hear the venom in the other man’s voice without saying Dullahan’s name. “What’s the point of saving her, Mr. Krauser? She’s an ungrateful kind, using men’s love for her own gain and then proceeds to break their hearts when they’ve done their job. Once you save her, do you know what she’ll do to you? She’ll make sure you’re left for dead here among the dead you’ll soon kill in this place.” Krauser continued to ignore the man’s talking as he finally reached the theatre and there was no one inside to stop him. No matter, he always kept his guard up as he proceeded to find the secret entranceway.

The theatre consisted of the operating table in the centre, a dreadful thought in the mercenary’s head if Dullahan was tortured on this very table and if there were people who watched it happen. No signs of blood and the table was cleaned free of dust. Columns of seatings took up most of the space and there were no other doors but the entrance he came from. The designs in the room were symmetrical and too large if they were going to entertain a large number of people over the course of years. 

Unless…

The operating table was spotless when Krauser inspected it at first. In fact, the design of the table doesn’t match the interior designs of the room. That would explain why the table was quite clean. He ran his fingers underneath the table, to conclude his curiosity, until he felt bumps and knew exactly what he was looking for. He pressed the button and soon he heard groaning coming from the seatings. They were pulled away right before his eyes, the floor beneath the columns also disappearing, replaced with stairs appearing from below, making its way towards a large iron gate.

“Major Krauser.” Nikki’s voice cackled from his walkie-talkie. “Major, this is Banshee. I’ve found the gazebo and bad news on my end, I need to find something. Whatever it is, it's not destroyed based on what I’m looking at, but I need to find it.” 

“Copy that, Banshee. I’ve found mine and I’m going in. Going radio silent.” He turned off his comms, took a deep breath, exhaled, descended down the stairs, and opened the iron gates. Lights were switched on automatically, revealing a long hallway towards an elevator at the end. The voice of the obnoxious Dr. Rowland returned when Krauser entered the elevator and pushed the only button available: down.

“I know what you did back at Valdelobos and I don’t think anyone knows what you have. What you possessed. I’ve lost two of my good men but with you working for me, maybe-” Dr. Rowland never got to finish his sentence when Krauser decided to fire at the speaker to shut him up for good and shoot at the little camera he spotted in the corner. He was almost at the desired floor and he needed to be ready for the welcoming party.

Soldiers in black stood in the hallway, their guns aimed at the door, waiting for Krauser to step out and empty their weapons on him by Dr. Rowland’s orders. The light indicating how many floors left has reached the end and the door slowly opened. No time was wasted for the soldiers to immediately open fire at the elevator until their magazines were empty. Half of them proceeded to reload while the other half processed the result they'd created, noticing there’s no blood splatters inside the elevator but bullet holes and more importantly there’s nobody inside at all.

A single flash grenade was thrown from above towards their feet and none reacted as fast as they could when the grenade was set off, blinding and deafening the soldiers. Krauser jumped down from the elevator shaft and began his own killing by slashing their throats with his knife and his inhuman speed. Their blood splashed against the wall and spilled on the floor when they fell down. He dipped his fingers into the pooling blood and smeared it across his face, mimicking the same pattern he painted on his face years ago.

This was a war against the doctor.

More soldiers were coming. He got his SMG out, emptying his whole magazine into as many as he can, and soon resorted to saving his ammo and going close combat on them. Krauser threw an uppercut at the soldier, then grabbed his arm that held the gun and twisted it hard to force him to drop it. He turned the soldier around, pinning the arm behind the back, and used the man as a human shield, eventually throwing the dead body towards the rest to stagger their movements and throw down punches and kicks hard enough to kill them.

The numbers of soldiers were dwindling with the numbers of bodies Krauser was leaving behind were increasing. 

The floor where the laboratories are a couple of floors down. There were no elevators but stairs and Krauser wasn’t complaining about it so long it’s not blocked by more soldiers or the path destroyed which could  delay his reach towards Dullahan.

On the second floor before he could reach the desired floor, he was greeted by the sight of three people standing in his view. A man was wearing a lab coat over his shoulders, part of his face bandaged, and his left arm in an arm sling. Two soldiers with visor-like helmets to obscure their faces, and the designs were quite too familiar for him to recognise that the only thing it lacked was the wicked grin on it, stood behind the doctor, hands tucked behind their backs. Krauser instantly sneered, knowing who this man was at first glance.

Dr. Rowland bowed towards him. 

“It’s a pleasure to meet you in the flesh, Mr. Krauser. Did you enjoy your warm up upstairs? It was all the men I could offer since Hawthorne Trinity is experiencing staff shortage here. It’s not easy finding the best to work for me, and with you-”

“Shut the hell up.” He interrupted Dr. Rowland’s speech once more and pulled out Dullahan’s gun to fire a few shots at him. Both guards behind the doctor brought one hand out each in front of him to shield him, deflecting the bullets back towards Krauser who dodged them easily. Dr. Rowland can only sighed to himself while his guards pulled their hands away, returning back behind their backs. “Are you always this impatient? Surely you weren’t one during your glory days. You wanted results but you forced patience onto your troops. I’ll need those results when I have you by my side.” 

The SMG was replaced with his knife. He could have mutated and ended it instantly, but he rather made his death as agonising as possible. He made that promise to himself, for Dullahan. 

Dr. Rowland’s mouth shifted behind the bandages, frowning. “It’s too late, Mr. Krauser. She’s long gone. Give it up now and take over her spot. Or take either one of them here. Last one standing and you can take them away as a replacement and never come back here again.” He raised his good hand and gestured it towards Krauser. The two guards left their position and made a mad dash towards the mercenary with knives in their hands. Every attack they threw at Krauser was also too familiar. The first guard was performing Dullahan’s fighting style and the second guard was performing his own fighting style. 

One of them swiped their knife under Krauser’s arm that held his knife, trying to force him to drop it. He let out a wince but didn’t drop it, bringing his knee up to their ribcage hard, hearing that satisfying crunch, and stabbed his knife into the throat, dragging it down to their chest. He pulled it out and stabbed them twice in the heart. The body is used as a shield from the final guard who was throwing slashes at him as if they were fighting him with a sword, an odd choice to try and fight him with a knife but an advantage for him if he’s dealing with someone using Dullahan’s moves. He has seen how she fought and he knew each of her moves by heart and training. The guard threw another slash at him again, this time he grabbed their wrist, twisting it and pushing the hand towards them, stabbing themselves underneath their chin, breaking through the visor. Krauser pushed the knife deeper while at the same time stabbing his knife through the heart for extra measure.

Dr. Rowland meanwhile remained where he stood during the whole fight, deeply frustrated. The amount of facial muscles he’s using caused the stitches to strain and blood to bloom on the bandages. 

“Pathetic waste of subjects. They can’t even fight right.”

“No more games.” He flicked both wrists to get the blood off both of the knives. “No more bargains. Take me to Dullahan or die right now.” He marched towards the doctor, looming over him with anger and determination burning in his blue eyes. Dr. Rowland simply blinked his good eye at him, unphased or annoyed to be treated by his attitude despite the threat of death inches away from him.

“She’s never Dullahan.” Dr. Rowland said, watching Krauser’s reaction. “She’s never Natasha.” His eye glanced past him. “She’s always been Subject No. 392. Isn’t that right, 392?”

A sharp needle stabbed Krauser right between the shoulder blades, injected the liquid, and harshly pulled it out. A roar escaped his mouth and he spun around to slash at the person who stabbed him. The dead soldier’s knife was restrained in her right hand, unphased by the pain and her blood dripped onto the floor, and his knife was blocked by her robotic arm. The face of his lover stared back at him with a  blank look. Her eye glazed over and half lidded.

“Dullahan…It’s me…Krauser…” Those were Krauser’s last words right as the sedative kicked in and knocked him out cold, falling at her feet and dropping the knives at the same time. None of what he said to her had any effect on her. All she does is stare at the unconscious body, look at Dr. Rowland, and then kneel down onto one knee for him, bowing her head.

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